bass canyon 2022

Bass Canyon Returns to The Gorge This August With Nearly 100 Electronic Artists

Bass Canyon returns to The Gorge Amphitheater in Washington state this summer with a stacked lineup of bass music’s latest and greatest artists. The lineup features a mix of genre-leading DJs, such as Kayzo and Subtronics, as well as budding names like Lizzy Jane and Kumarion. Bass Canyon is bringing the whole spectrum of bass music to the PNW.

Bass Canyon 2022

Taking place August 19-21, Bass Canyon hosts nearly 100 electronic artists across three stages. The three-day festival is hosted by the bass maestro himself, Canadian DJ and producer Excision. The genre trailblazer is playing three sets, including his boundary-warping Detox arrangement and a b2b performance with East Coast producer, Wooli.

bass canyon 2022
bass canyon 2022

Other leading names at Bass Canyon 2022 include Louisiana-raised Boogie T experimental trap/bass producer G Jones, Dutch electronic veteran Dion Timmer, German DJ Virtual Riot, heavy metal and electronic music blender Sullivan King, heavy-hitter SVDDEN DEATH, positive vibes spreader LSDREAM, and much more.

Undercards at this year’s Bass Canyon include dubstep producer Space Wizard, bass-focused Nazaar, genre-blender Subdocta, Bay Area-based Capozzi, Brooklyn-based Esseks, and dozens more. Bass Canyon also brings plenty of house DJs to The Gorge with favorite names like Blossom, Dustycloud, and MASTERIA.

In addition to their largest lineup to date, Bass Canyon is bringing even more upgrades to the three-day festival. Camping is now extended a full extra day, now opening at 1pm on Wednesday. They will also have more campground staff and security to make for an even safer and more comfortable experience.

Tickets to Bass Canyon 2022

Tickets to this year’s Bass Canyon are still available. General admission starts at $269, while VIP starts at $429. Camping is included but a separate pass must be purchased to bring a vehicle in. Additionally, the Thursday pre-party requires a separate pass.

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