Seattle’s Fleet Foxes isn’t your typical band. These guys, practically synonymous with year-round flannel shirts and lush harmonies, took the music world by storm in the late 2000s, becoming one of the driving forces behind the modern folk revival.
Formed in singer-songwriter Robin Pecknold’s teenage bedroom (originally under the name “Pineapple,” no less!), Fleet Foxes took only three years and two albums to solidify their place in musical history. Their self-titled 2008 debut became a platinum seller in the UK, and while success followed in the US, Europe truly embraced their sound.
Fleet Foxes’ magic lies in their intricate vocal arrangements. Pecknold’s melodies intertwine with the harmonies of his bandmates, creating a sound as rich and layered as a tapestry. Critics couldn’t get enough, showering their debut album with praise.
Their 2011 follow-up, “Helplessness Blues,” reached even greater heights. The title track, hailed by Paste Magazine as the anthem of a generation, explored the struggle between self-discovery and societal expectations. Pecknold’s poignant lyrics, questioning individuality amidst a world that seeks conformity, resonated deeply with listeners.
Despite their undeniable talent and critical acclaim, Fleet Foxes haven’t followed a traditional path. They’ve embraced a more independent spirit, with Pecknold even taking a hiatus to pursue his education at Columbia University. This break, however, hasn’t diminished their impact. Their music continues to inspire a new generation of folk enthusiasts, and their reunion in 2017 was met with fervent excitement.
Fleet Foxes’ Latest Album: “Live on Boston Harbor”
Fleet Foxes’ “Live on Boston Harbor” isn’t just a live album; it’s a portal to a captivating concert experience. This three-LP release captures the band at their peak, showcasing the full majesty of their music in a live setting.
The album shines in its fidelity. Fans of “Shore” will be particularly delighted, as the setlist heavily features that album’s brilliance. Tracks like “Wading in Waist-High Water” and “Featherweight” lose none of their studio luster, instead gaining a raw, powerful edge.
“Phoenix” stands out as a radiant anomaly, a beautiful wash of diatonic F major chords and triadic harmonies that seem to build on itself. The horn section, featuring Andy Clausen (trombone), Chloe Rowlands (trombone), and Willem DeKoch (trombone), adds a layer of warmth and unexpected majesty, perfectly complementing the band’s signature folk-indie sound.
However, “Live on Boston Harbor” isn’t just about replicating the studio sound. The band stretches their wings on several tracks. “Going-To-Sun Road” takes on a new dimension with the addition of live brass, while “For a Week or Two” and “It’s Not My Season” gain an intimacy that pulls the listener into the heart of the performance.
The true star of the show, though, is the band’s vocal interplay. Robin Pecknold’s voice soars effortlessly, but it’s the rich harmonies layered on top that truly elevate the music. Fleet Foxes have always been known for their vocal prowess, and “Live on Boston Harbor” is an exemplification of their ability to create a transcendent soundscape through sheer vocal power. Subtle details, like the interplay of acoustic guitars and the nuanced harmonies, take center stage.
This delicacy is especially evident in quieter moments, where Robin Pecknold’s vocals float effortlessly, underpinned by the gentle pulse of the rhythm section. “Blue Spotted Trail” is a perfect example of this intimacy– Pecknold singing with just his acoustic guitar. A warm, cozy hug of reverb encapsulates his voice punctuated by the gentle murmurs of the Boston crowd. A uniquely beautiful chord progression happens mid-way through the song: G♭ – G♭/F♭ – B♭m – C7sus4 – C7 – D♭9: absolutely sublime. The album feels almost like a live chamber performance (quasi-string quartet), stripped down to reveal the exquisite details of Fleet Foxes’ music.
Fleet Foxes are more than just a band; they’re a testament to the power of beautiful melodies and relatable lyrics. Their music continues to transport listeners to a world of introspective beauty, solidifying their place as one of the most influential folk groups of the 21st century.
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